Published
FHYA using ÖAW materials
[Source - Chloe Rushovich for FHYA, 2018: File contains digital reproduction of audio extracted from CD1 of the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", originally recorded on wax cylinders and classified by OAW using Mayr's notes as "Igama lokusina, isicangu[z]o: wedding dance [introductory dance performed by the bride's party] Three-part singing by grown-up girls"; digitized CD booklet; handwritten protocols, and lyrics transcript and translation, extracted from data CD]
Creative Commons License: CC BY-NC-ND
https://creativecommons.org/licenses/by-nc-nd/3.0/
Unless otherwise stated the copyright of all material on the FHYA resides with the contributing institution/custodian.
CD numbering, recommendations for citation
[Source - The Collection of Father Franz Mayr Zulu Recordings 1908, CD booklet, 2006: Each series has a single CD number, which is independent of the actual number of CDs comprising the series. For example, a series may be listed as OEAW PHA CD 9. The third CD of this series is listed as OEAW PHA CD 9/3. Due to the short playing time of a Phonogramm, a single CD may contain up to 40 tracks. The booklet recommends citing the historical recordings according to the following guidelines: In the first instance, each recording should be referred to by its catalogue number (e.g. Ph 628, G 3412). If a recording is taken from the present edition, the catalogue number should be followed by the CD number of the relevant series (if a series comprises several CDs, the CD number should be followed by the CD sub-number, separated from the CD number by a slash), and by its particular track number, set apart by a colon; e.g. Prayers: Ph 1753, OEAW PHA CD 25/1: 1. !hub° lempi (war [dance] song): Ph 1759, OEAW PHA CD 25/2]
Attributions and conjectures
[Source - The Collection of Father Franz Mayr Zulu Recordings 1908, CD booklet, 2006: For some of his recordings, Father Franz Mayr limited his notes on the interlocutors to "grown up (Zulu) girls".]
Published
[Source - Chloe Rushovich for FHYA, 2018: Digital reproduction of audio extracted from CD1 of the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", originally recorded on wax cylinders and classified by OAW using Mayr's notes as "Iketo: wedding dance [of the bridegroom's party] Two-part singing by Ts[h]ingwayo and Nomhoyi".]
Creative Commons License: CC BY-NC-ND
https://creativecommons.org/licenses/by-nc-nd/3.0/
Unless otherwise stated the copyright of all material on the FHYA resides with the contributing institution/custodian.
Attributions and conjectures
[Source - The Collection of Father Franz Mayr Zulu Recordings 1908, CD booklet, 2006: For some of his recordings, Father Franz Mayr limited his notes on the interlocutors to "grown up (Zulu) girls".]
Published
[Source - Carolyn Hamilton for FHYA, 2019, using ÖAW materials: Mayr’s note-taking was sporadic. In his protocols he occasionally gives very few details about some informants, while with others he is quite meticulous. Usually, informants without a first or family name, or informants with names that sound foreign to us, such as Nogwaja, Pakati, Tshingwayo, and Nondhleko, reveal that the person was not a converted Christian, but still a traditional Zulu in the sense that the person adhered to long-established Zulu custom; European-style names such as Frida Kunene and Maria Gertrud(e) Mkize, on the other hand, indicate that these people were Christians. Baptisms were considered successes in the missionary's attempt to "win souls" for the church priorities for the mission. Thus, the baptism registers give some details about those who had decided to change their religion. Typically, when a person was baptised, he or she would take a European name. These names were usually those of European patrons: for example, Fr. Mayr baptised the five-week-old Msomi, Maria Coudenhove, which was the name of the newborn girl's European sponsor. Mlambo, a young man, received the name of his "uncle" or European patron, Franz Rohrmoser (cf. Gütl 2004: 77, 89, 128). The age of the people to be baptised varied from newborn children to elderly people; since most of the latter did not know their birthdays, Mayr was only able to take down estimates of their age into his register (cf. Gütl 2004: 99-100).]
Creative Commons License: CC BY-NC-ND
https://creativecommons.org/licenses/by-nc-nd/3.0/
Unless otherwise stated the copyright of all material on the FHYA resides with the contributing institution/custodian.
Attributions and conjectures
[Source - The Collection of Father Franz Mayr Zulu Recordings 1908, CD booklet, 2006: For some of his recordings, Father Franz Mayr limited his notes on the interlocutors to "grown up (Zulu) girls".]
Published
[Source - Benathi Marufu for FHYA, 2020, using ÖAW materials: Relevant pages of the CD Booklet for the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", published in 2006. To view the full booklet click the link in the Associated materials field below.]
https://fhya.org/cd-booklet-the-collection-of-father-franz-mayr-zulu-recordings
Creative Commons License: CC BY-NC-ND
https://creativecommons.org/licenses/by-nc-nd/3.0/
Unless otherwise stated the copyright of all material on the FHYA resides with the contributing institution/custodian.
Attributions and conjectures
[Source - The Collection of Father Franz Mayr Zulu Recordings 1908, CD booklet, 2006: For some of his recordings, Father Franz Mayr limited his notes on the interlocutors to "grown up (Zulu) girls".]
Published
[Source - Benathi Marufu for FHYA, 2020, using ÖAW materials: Relevant pages of the CD Booklet for the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", published in 2006. To view the full booklet click the link in the Associated materials field below.]
Creative Commons License: CC BY-NC-ND
https://creativecommons.org/licenses/by-nc-nd/3.0/
Unless otherwise stated the copyright of all material on the FHYA resides with the contributing institution/custodian.