Series - FHYA selection from the Royal House of Dlamini Series

Simbimba Ndlela, notebook 1 Simbimba Ndlela, notebook 2 Simbimba Ndlela, notebook 3 Simbimba Ndlela, notebook 4 Simbimba Ndlela, rejected edited typescript Floppy disk label Simbimba Ndlela, folder Index card, Ndlela box Ndlela, collection box Ndlela, collection box label Title and introduction, Historical Papers, Wits University, inventory for Swaziland Oral History ... Mkhonto Ndwandwe, rejected edited typescript Floppy disk label Title and introduction, Historical Papers, Wits University, inventory for Swaziland Oral History ... Phuhlaphi Nsibandze, notebook 1 Phuhlaphi Nsibandze, notebook 2 Phuhlaphi Nsibandze, notebook 3 Phuhlaphi Nsibandze, rejected edited typescript Floppy disk label Phuhlaphi Nsibandze, folder
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FHYA selection from the Royal House of Dlamini Series

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  • Source of title proper: FHYA using WITS materials

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  • 7 Notebooks
  • 3 Rejected Edited Typescripts
  • 2 Index Cards
  • 2 Floppy Disk Labels
  • 2 Original Collection Boxes
  • 2 Folders
  • 2 Original Collection Box Labels

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Custodial history

[Source - Chloe Rushovich for FHYA using Wits materials, 2017: In the mid-1960s King Sobhuza II commissioned a series of interviews about the history of Swaziland. The primary interviewer in charge of this undertaking was Isaac Dlamini, who was one of Sobhuza’s personal aides. He was assisted in the interview process by Maboya Fakudze and Mahlaba. Some of the transcription and translation work on these interviews was done by Ruth Mavimbela, and possibly also by Rotter Sicheme Mamba. This material was donated to the Swaziland Oral History Project in the late 1980s. In 2012, the Wits Historical Papers undertook to digitize the recorded interviews. This was made possible by a grant from the Carnegie Foundation. A full copy of the digitized recorded interviews was deposited by the Wits Historical Papers in the University of Swaziland Library. In 2014 the Five Hundred Year Archive commissioned Patricia Liebetrau, a metadata librarian who had worked on the Digital Imaging South Africa project, to undertake the digitization of a selection of the transcripts from the recordings made by Isaac Dlamini for the Royal House of Dlamini.]

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[Source - Chloe Rushovich for FHYA using Wits materials, 2017: In the mid-1960s King Sobhuza II commissioned a series of interviews about the history of Swaziland. These interviews were conducted across the length and breadth of Swaziland from the mid-1960s to the early 1980s. They embrace a range of historical topics, notably the origins of the people of Swaziland, as well as the origins of its many chieftaincies. These interviews display a strong regional emphasis, and were conducted, in part, as a part of a program undertaken by the Swazi monarchy for the recovery and reinvigoration of Swaziland’s customs and traditions in the 1960s and 1970s. The transcripts selected were those for which a typed-up summary or typed edited typescript already existed. The rationale for this was that the typed version, unlike the handwritten versions could be subjected to optical character recognition and are thus searchable. The linked typed texts therefore act as a kind of index to the handwritten texts and the recorded audio. In 2014 the Five Hundred Year Archive commissioned Patricia Liebetrau, a metadata librarian who had worked on the Digital Imaging South Africa project, to undertake the digitization of a selection of the transcripts from the recordings made by Isaac Dlamini for the Royal House of Dlamini. This selection of transcripts, as well as the already digitized audio, the rejected experimental edited typescripts, and associated materials such as collection boxes, index cards, folders, audio tape cassettes and case labels, and notebooks, formed the FHYA selection from the collection of Royal House of Dlamini recordings. The Royal House of Dlamini series is separated into ‘files’ named after each interlocutor.]

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Creative Commons License: CC BY-NC-ND

https://creativecommons.org/licenses/by-nc-nd/3.0/

Unless otherwise stated the copyright of all material on the FHYA resides with the contributing institution/custodian.

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