Item Ph 1756, OEAW PHA CD 25/1:10 - Indhlamu: song accompanying ordinary dancing Four-part singing by four grown-up Zulu girls, sound recording

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Indhlamu: song accompanying ordinary dancing Four-part singing by four grown-up Zulu girls, sound recording

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  • Sound recording

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  • Source of title proper: FHYA using ÖAW materials

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Ph 1756, OEAW PHA CD 25/1:10

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[Source - Chloe Rushovich for FHYA, 2018: Digital reproduction of audio extracted from CD1 of the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", originally recorded on wax cylinders and classified by OAW using Mayr's notes as "Indhlamu: song accompanying ordinary dancing Four-part singing by four grown-up Zulu girls".]

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Creative Commons License: CC BY-NC-ND

https://creativecommons.org/licenses/by-nc-nd/3.0/

Unless otherwise stated the copyright of all material on the FHYA resides with the contributing institution/custodian.

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[Source - The Collection of Father Franz Mayr Zulu Recordings 1908, CD booklet, 2006: Each series has a single CD number, which is independent of the actual number of CDs comprising the series. For example, a series may be listed as OEAW PHA CD 9. The third CD of this series will be listed as OEAW PHA CD 9/3. Due to the short playing time of a Phonogramm, a single CD may contain up to 40 tracks. We recommend citing the historical recordings according to the following guidelines: In the first instance, each recording should be referred to by its catalogue number (e.g. Ph 628, G 3412). If a recording is taken from the present edition, the catalogue number should be followed by the CD number of the relevant series (if a series comprises several CDs, the CD number should be followed by the CD sub-number, separated from the CD number by a slash), and by its particular track number, set apart by a colon; e.g. Prayers: Ph 1753, OEAW PHA CD 25/1: 1. !hub° lempi (war [dance] song): Ph 1759, OEAW PHA CD 25/2]

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[Source - The Collection of Father Franz Mayr Zulu Recordings 1908, CD booklet, 2006: For some of his recordings, Father Franz Mayr limited his notes on the interlocutors to "grown up (Zulu) girls".]

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