Mostrar 214 resultados

Descrição arquivística
Austrian Academy of Sciences (ÖAW)
Previsualizar a impressão Ver:

161 resultados com objetos digitais Mostrar resultados com objetos digitais

Igama lokwendisa [engagement dance] Two-part singing by Frida Kunene and Maria Theresa Kanyile, sound recording

[Source - Chloe Rushovich for FHYA, 2018: Digital reproduction of audio extracted from CD1 of the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", originally recorded on wax cylinders and classified by OAW using Mayr's notes as "Igama lokwendisa [engagement dance] Two-part singing by Frida Kunene and Maria Theresa Kanyile".]

Igama lokwendisa [engagement dance] Two-part singing by Frida Kunene and Maria Theresa Kanyile, lyrics transcript and translation

[Source - Benathi Marufu for FHYA, 2020, using ÖAW materials: Relevant pages of the CD Booklet for the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", published in 2006. To view the full booklet click the link in the Associated materials field below.]

Igama lokubonga inyama yesifuba: [dance (...?)], with laughing and shouting Two-part singing by D. Mdhlalose, Maria Theresa Kanyile, handwritten protocol

[Source - Carolyn Hamilton for FHYA, 2019, using ÖAW materials: Mayr’s note-taking was sporadic. In his protocols he occasionally gives very few details about some informants, while with others he is quite meticulous. Usually, informants without a first or family name, or informants with names that sound foreign to us, such as Nogwaja, Pakati, Tshingwayo, and Nondhleko, reveal that the person was not a converted Christian, but still a traditional Zulu in the sense that the person adhered to long-established Zulu custom; European-style names such as Frida Kunene and Maria Gertrud(e) Mkize, on the other hand, indicate that these people were Christians. Baptisms were considered successes in the missionary's attempt to "win souls" for the church priorities for the mission. Thus, the baptism registers give some details about those who had decided to change their religion. Typically, when a person was baptised, he or she would take a European name. These names were usually those of European patrons: for example, Fr. Mayr baptised the five-week-old Msomi, Maria Coudenhove, which was the name of the newborn girl's European sponsor. Mlambo, a young man, received the name of his "uncle" or European patron, Franz Rohrmoser (cf. Gütl 2004: 77, 89, 128). The age of the people to be baptised varied from newborn children to elderly people; since most of the latter did not know their birthdays, Mayr was only able to take down estimates of their age into his register (cf. Gütl 2004: 99-100).]

lgama lokusina kwomakoti ekupeleni kwomtshado: wedding song [wedding dance (...?)] Sung by Maria Gertrude Mkize, handwritten protocol

[Source - Carolyn Hamilton for FHYA, 2019, using ÖAW materials: Mayr’s note-taking was sporadic. In his protocols he occasionally gives very few details about some informants, while with others he is quite meticulous. Usually, informants without a first or family name, or informants with names that sound foreign to us, such as Nogwaja, Pakati, Tshingwayo, and Nondhleko, reveal that the person was not a converted Christian, but still a traditional Zulu in the sense that the person adhered to long-established Zulu custom; European-style names such as Frida Kunene and Maria Gertrud(e) Mkize, on the other hand, indicate that these people were Christians. Baptisms were considered successes in the missionary's attempt to "win souls" for the church priorities for the mission. Thus, the baptism registers give some details about those who had decided to change their religion. Typically, when a person was baptised, he or she would take a European name. These names were usually those of European patrons: for example, Fr. Mayr baptised the five-week-old Msomi, Maria Coudenhove, which was the name of the newborn girl's European sponsor. Mlambo, a young man, received the name of his "uncle" or European patron, Franz Rohrmoser (cf. Gütl 2004: 77, 89, 128). The age of the people to be baptised varied from newborn children to elderly people; since most of the latter did not know their birthdays, Mayr was only able to take down estimates of their age into his register (cf. Gütl 2004: 99-100).]

Lomtshado, Iketo: old song [bridegroom's party] Two-part singing by Nogwaja and Nomhoyi, lyrics transcript and translation

[Source - Benathi Marufu for FHYA, 2020, using ÖAW materials: Relevant pages of the CD Booklet for the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", published in 2006. To view the full booklet click the link in the Associated materials field below.]

lgama lokuzingela: hunting dance Two-part singing by Nogwaja and Nomhoyi, sound recording

[Source - Chloe Rushovich for FHYA, 2018: Digital reproduction of audio extracted from CD1 of the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", originally recorded on wax cylinders and classified by OAW using Mayr's notes as "lgama lokuzingela: hunting dance Two-part singing by Nogwaja and Nomhoyi".]

Igama lokuzingela lamadoda: hunting dance song [...1 Three-part singing by Maria Theresa Kanyile, M. A. Msane and Maria Gertrude Mkize, lyrics transcript and translation

[Source - Benathi Marufu for FHYA, 2020, using ÖAW materials: Relevant pages of the CD Booklet for the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", published in 2006. To view the full booklet click the link in the Associated materials field below.]

lgama lokusina [wedding dance] Two-part singing by Maria Theresa Kanyile and D. Mdhlalose Ph 1795B [continuation of missing Ph 1795A], handwritten protocol

[Source - Carolyn Hamilton for FHYA, 2019, using ÖAW materials: Mayr’s note-taking was sporadic. In his protocols he occasionally gives very few details about some informants, while with others he is quite meticulous. Usually, informants without a first or family name, or informants with names that sound foreign to us, such as Nogwaja, Pakati, Tshingwayo, and Nondhleko, reveal that the person was not a converted Christian, but still a traditional Zulu in the sense that the person adhered to long-established Zulu custom; European-style names such as Frida Kunene and Maria Gertrud(e) Mkize, on the other hand, indicate that these people were Christians. Baptisms were considered successes in the missionary's attempt to "win souls" for the church priorities for the mission. Thus, the baptism registers give some details about those who had decided to change their religion. Typically, when a person was baptised, he or she would take a European name. These names were usually those of European patrons: for example, Fr. Mayr baptised the five-week-old Msomi, Maria Coudenhove, which was the name of the newborn girl's European sponsor. Mlambo, a young man, received the name of his "uncle" or European patron, Franz Rohrmoser (cf. Gütl 2004: 77, 89, 128). The age of the people to be baptised varied from newborn children to elderly people; since most of the latter did not know their birthdays, Mayr was only able to take down estimates of their age into his register (cf. Gütl 2004: 99-100).]

Ndabambi Kunene and his wife - Ihubo lamabuto: war song [literally: song of the warriors] Two-part singing by Ndabambi Kunene and his wife, lyrics transcript and translation

[Source - Benathi Marufu for FHYA, 2020, using ÖAW materials: Relevant pages of the CD Booklet for the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", published in 2006. To view the full booklet click the link in the Associated materials field below.]

Ihubo lamabuto: war song [literally: song of the warriors] Sung by Pakati, lyrics transcript and translation

[Source - Benathi Marufu for FHYA, 2020, using ÖAW materials: Relevant pages of the CD Booklet for the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", published in 2006. To view the full booklet click the link in the Associated materials field below.]

Maria Theresa Kanyile and Maria Gertrude Mkize - Ihubo lempi: war [dance] song Two-part singing by Maria Theresa Kanyile and Maria Gertrude Mkize, sound recording and associated items

[Source - Chloe Rushovich for FHYA, 2018: File contains digital reproduction of audio extracted from CD2 of the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", originally recorded on wax cylinders and classified by OAW using Mayr's notes as "Ihubo lempi: war [dance] song Two-part singing by Maria Theresa Kanyile and Maria Gertrude Mkize"; digitized CD booklet; handwritten protocols, music notation, and lyrics transcript and translation, extracted from data CD]

Ihubo lempi: war [dance] song Two-part singing by Maria Theresa Kanyile and Maria Gertrude Mkize, lyrics transcript and translation

[Source - Benathi Marufu for FHYA, 2020, using ÖAW materials: Relevant pages of the CD Booklet for the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", published in 2006. To view the full booklet click the link in the Associated materials field below.]

Ihubo lempi: war-dance song Three-part singing by Tshingwayo, Nogwaja and Nomhoyi, handwritten protocol

[Source - Carolyn Hamilton for FHYA, 2019, using ÖAW materials: Mayr’s note-taking was sporadic. In his protocols he occasionally gives very few details about some informants, while with others he is quite meticulous. Usually, informants without a first or family name, or informants with names that sound foreign to us, such as Nogwaja, Pakati, Tshingwayo, and Nondhleko, reveal that the person was not a converted Christian, but still a traditional Zulu in the sense that the person adhered to long-established Zulu custom; European-style names such as Frida Kunene and Maria Gertrud(e) Mkize, on the other hand, indicate that these people were Christians. Baptisms were considered successes in the missionary's attempt to "win souls" for the church priorities for the mission. Thus, the baptism registers give some details about those who had decided to change their religion. Typically, when a person was baptised, he or she would take a European name. These names were usually those of European patrons: for example, Fr. Mayr baptised the five-week-old Msomi, Maria Coudenhove, which was the name of the newborn girl's European sponsor. Mlambo, a young man, received the name of his "uncle" or European patron, Franz Rohrmoser (cf. Gütl 2004: 77, 89, 128). The age of the people to be baptised varied from newborn children to elderly people; since most of the latter did not know their birthdays, Mayr was only able to take down estimates of their age into his register (cf. Gütl 2004: 99-100).]

Ihubo lempi: war-dance song Three-part singing by Tshingwayo, Nogwaja and Nomhoyi, lyrics transcript and translation

[Source - Benathi Marufu for FHYA, 2020, using ÖAW materials: Relevant pages of the CD Booklet for the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", published in 2006. To view the full booklet click the link in the Associated materials field below.]

Ihubo lempi: war-dance song Two-part singing by Tshingwayo and Nomhoyi (men), sound recording

[Source - Chloe Rushovich for FHYA, 2018: Digital reproduction of audio extracted from CD1 of the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", originally recorded on wax cylinders and classified by OAW using Mayr's notes as "Ihubo lempi: war-dance song Two-part singing by Tshingwayo and Nomhoyi (men)".]

Ihubo lempi ka Mzimba: war-dance song [of chieftain Mzimba] Sung by Mbonambi Kanyile, sound recording

[Source - Chloe Rushovich for FHYA, 2018: Digital reproduction of audio extracted from CD1 of the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", originally recorded on wax cylinders and classified by OAW using Mayr's notes as "Ihubo lempi ka Mzimba: war-dance song [of chieftain Mzimba] Sung by Mbonambi Kanyile".]

Ihubo lempi ka Mzimba: war-dance song [of chieftain Mzimba] Sung by Mbonambi Kanyile, handwritten protocol

[Source - Carolyn Hamilton for FHYA, 2019, using ÖAW materials: Mayr’s note-taking was sporadic. In his protocols he occasionally gives very few details about some informants, while with others he is quite meticulous. Usually, informants without a first or family name, or informants with names that sound foreign to us, such as Nogwaja, Pakati, Tshingwayo, and Nondhleko, reveal that the person was not a converted Christian, but still a traditional Zulu in the sense that the person adhered to long-established Zulu custom; European-style names such as Frida Kunene and Maria Gertrud(e) Mkize, on the other hand, indicate that these people were Christians. Baptisms were considered successes in the missionary's attempt to "win souls" for the church priorities for the mission. Thus, the baptism registers give some details about those who had decided to change their religion. Typically, when a person was baptised, he or she would take a European name. These names were usually those of European patrons: for example, Fr. Mayr baptised the five-week-old Msomi, Maria Coudenhove, which was the name of the newborn girl's European sponsor. Mlambo, a young man, received the name of his "uncle" or European patron, Franz Rohrmoser (cf. Gütl 2004: 77, 89, 128). The age of the people to be baptised varied from newborn children to elderly people; since most of the latter did not know their birthdays, Mayr was only able to take down estimates of their age into his register (cf. Gütl 2004: 99-100).]

Ihubo lempi ka Mzimba: war-dance song [of chieftain Mzimba] Sung by Mbonambi Kanyile, lyrics transcript and translation

[Source - Benathi Marufu for FHYA, 2020, using ÖAW materials: Relevant pages of the CD Booklet for the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", published in 2006. To view the full booklet click the link in the Associated materials field below.]

Ihubo lempi: old war song [war-dance song] Sung by Pakati, sound recording

[Source - Chloe Rushovich for FHYA, 2018: Digital reproduction of audio extracted from CD1 of the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", originally recorded on wax cylinders and classified by OAW using Mayr's notes as "Ihubo lempi: old war song [war-dance song] Sung by Pakati".]

Ihubo lenkosi (Cetshwayo): chieftain's song [addressed to chieftain Cetshwayo] Sung by Pakati, sound recording

[Source - Chloe Rushovich for FHYA, 2018: Digital reproduction of audio extracted from CD1 of the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", originally recorded on wax cylinders and classified by OAW using Mayr's notes as "Ihubo lenkosi (Cetshwayo): chieftain's song [addressed to chieftain Cetshwayo] Sung by Pakati".]

Resultados 21 a 40 de 214