- 2012-6-126
- Item
- 2016 -
Parte de FHYA curation of selected materials from the Traditional Collection at the Johannesburg Art Gallery
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Parte de FHYA curation of selected materials from the Traditional Collection at the Johannesburg Art Gallery
Parte de FHYA curation of selected materials from the Traditional Collection at the Johannesburg Art Gallery
Parte de FHYA curation of selected materials from the Traditional Collection at the Johannesburg Art Gallery
Unknown maker - Amasumpa snuff box staff and associated items
Parte de FHYA curation of selected materials from the Traditional Collection at the Johannesburg Art Gallery
[Source - Chloe Rushovich for FHYA, 2018: File contains an object identified by JAG as a 'amasumpa snuff box staff' acquired by JAG from Nicholas Maritz.]
Parte de FHYA curation of selected materials from the Traditional Collection at the Johannesburg Art Gallery
Parte de FHYA curation of selected materials from the Traditional Collection at the Johannesburg Art Gallery
Unknown maker - Grooved snuff box and associated items
Parte de FHYA curation of selected materials from the Traditional Collection at the Johannesburg Art Gallery
[Source - Chloe Rushovich for FHYA, 2018: File contains an object identified by JAG as a 'grooved snuff box' acquired by JAG from Nicholas Maritz.]
Parte de FHYA curation of selected materials from the Traditional Collection at the Johannesburg Art Gallery
Unknown maker - Ceramic vessels and associated items
Parte de FHYA curation of selected materials from the Traditional Collection at the Johannesburg Art Gallery
[Source - Chloe Rushovich for FHYA, 2018: File contains an object identified by JAG as a 'ceramic vessels' acquired by JAG from Nicholas Maritz.]
Parte de FHYA curation of selected materials from the Traditional Collection at the Johannesburg Art Gallery
FHYA selection of associated institutional material at JAG
Parte de FHYA curation of selected materials from the Traditional Collection at the Johannesburg Art Gallery
[Source - Carolyn Hamilton for FHYA, 2019: Contains a selection of institutional material held at JAG, some whole records and in other instances, compilations of parts of records that were digitised because of their relevance to the associated objects selected by the FHYA. In this section you will either find the complete record - or as complete a version as the FHYA were able to at the time. Where the record appears alongside the selected objects in the series above, a link will have been made from there to the complete record in this series, via the Associated materials field.]
Parte de FHYA curation of selected materials from the Traditional Collection at the Johannesburg Art Gallery
[Source - Nessa Leibhammer for FHYA, 2017, using JAG materials: The box file contains two soft cardboard files of general correspondence relating to the negotiations around the assembly of what is now known as the Brenthurst Collection by Jonathan Lowen - its valuation, acquisition and the possibilities of a publication. The two files contained inside are labelled: 11/1a Vol. 1, Brenthurst Collection (for Lowen Collection) – correspondence – reports and 10/58 Art and Ambiguity; 11/1a Vol. 2, Brenthurst Collection (from Lowen Collection).]
Parte de FHYA curation of selected materials from the Traditional Collection at the Johannesburg Art Gallery
[Source - Nessa Leibhammer for FHYA, 2017, using JAG materials: Box File 6 contains a few pictures of objects and photocopies of pages from publications and articles on southern African traditional objects; pages from Sothebys auction catalogue; correspondence from collector Jurgen Witt, from whom some of the Horstmann objects were originally collected, to Rochelle Keene, then director of the JAG; correspondence between R. Keene and John Mack of the British Museum; Di Levy’s (then the curator of the Traditional S.A. collections at JAG) notes on objects for purchase from Horstmann; notes from Horstmann with information on objects offered for sale.]
Parte de FHYA curation of selected materials from the Traditional Collection at the Johannesburg Art Gallery
[Source - Debra Pryor for FHYA, 2019, using JAG materials: Contains correspondence from the Dr. P.H. Jaques (son of Rev. A.A. Jaques) to Christopher Till dated 1993/04/14. It includes Rev. A.A. Jaques annotated notes for a lecture on Shangaan Head-rests, which he delivered to the Fine Arts Society of Johannesburg circa 1941.]