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Roodt and Rawlinson 1987

[Source - Chloe Rushovich for FHYA using material provided by eThembeni Cultural Heritage Management, 2018: In 1986 and 1987 Rob Rawlinson excavated at the uMgungundlovu site. In 1986 Rawlinson was employed as at the University of Zululand and secured research funding through the National Monuments Council to conduct his ancillary excavations at the site, under Franz Roodt’s excavation permit. His collection of excavated material first housed at the University of Zululand and was returned to Amafa post 2000. Between 1983 and 1994 Frans Roodt excavated at the uMgungundlovu under the auspices of the Natal Provincial Museums Service. These excavations focused on the hut floors from the Bheje areas as well as the isigodlo and the eastern side of uMgungundlovu. This material is housed at Amafa. Rawlinson’s material is listed within the Amafa Register, where it is outlined as an integral part of the Roodt collection, even though Rawlinson’s excavation was entirely independent of Roodt’s work. Rawlinson’s excavation work took place around the Umgungundlovu lower entrance area and included hut floors and a refuse dump near to the lower entrance of the site. Note that the FHYA is not sure which material belongs to Roodt’s excavations and which belongs to Rawlinson’s excavations at this time. The FHYA arranged this material into 1986 and 1987 ‘subseries’ in which ‘files’ containing digital ‘items’ which consist of the boxes and their contents.]

FHYA selection from the Bonner Series

[Source - Chloe Rushovich for FHYA using Wits materials, 2017: In 1970, Philip Bonner recorded a series of interviews, as a part of his doctoral research at the School of Oriental and African Studies at the University of London, under the supervision of Professor Shula Marks. Bonner’s work constitutes the earliest independent investigation of Swazi oral traditions and is informed by a set of concerns very different from those of earlier researchers. Not only do his interviews focus on regional specificities, but they address a set of issues shaped by the Africanist currents which influenced the writing of southern African history in Britain in the early 1970s. His work locating and recording local traditions served as a counter weight to the better-known royalist traditions. He also investigated Swazi oral traditions as much for what they could reveal about the Swazi interaction with the broader context of southern Africa as for what they say about internal Swazi relations. His research formed the basis of his thesis, as well as the book he subsequently published in 1983. In 1985, a selection of Bonner’s recordings was transcribed and translated in Swaziland by a number of students or graduates from the University of Swaziland working with Carolyn Hamilton. This process took place at the Swazi National Archives. In 2014 the Five Hundred Year Archive commissioned Patricia Liebetrau, a metadata librarian who had worked on the Digital Imaging South Africa project, to undertake the digitization of a selection of the transcripts from the recordings made by Bonner. The transcripts selected were those for which a typed-up summary or typed edited typescript already existed. The rationale for this was that the typed version, unlike the handwritten versions could be subjected to optical character recognition and are thus searchable. The linked typed texts therefore act as a kind of index to the handwritten texts and the recorded audio. This selection of transcripts, as well as the already digitized audio, the rejected experimental edited typescripts, and associated materials such as collection boxes, index cards, folders, audio tape cassettes and case labels, and notebooks, formed the FHYA selection from the collection of Bonner recordings. The Bonner series is separated into ‘files’ named after each interlocutor.]

Madabu Dlamini 1970 - Interview and associated items

[Source - Chloe Rushovich for FHYA, 2018: File contains a digital audio file, an audio tape cassette and its associated case label, an edited typescript, an index card, a collection box, and a collection box label associated with the interviewing of Madabu Dlamini.]

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