Title and statement of responsibility area
Title proper
Amasumpa ear plugs
General material designation
- Object
Parallel title
Other title information
Title statements of responsibility
Title notes
- Source of title proper: Nessa Leibhammer using JAG materials
Level of description
Item
Repository
Reference code
Edition area
Edition statement
Edition statement of responsibility
Class of material specific details area
Statement of scale (cartographic)
Statement of projection (cartographic)
Statement of coordinates (cartographic)
Statement of scale (architectural)
Issuing jurisdiction and denomination (philatelic)
Dates of creation area
Date(s)
-
2016 - (Online curation)
- Online curation
- Five Hundred Year Archive (FHYA)
- Note
- Digital image by Nessa Leibhammer
Physical description area
Physical description
Publisher's series area
Title proper of publisher's series
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Archival description area
Custodial history
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Notes area
Physical condition
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Terms governing use, reproduction, and publication
Creative Commons License: CC BY-NC-ND
https://creativecommons.org/licenses/by-nc-nd/3.0/
Unless otherwise stated the copyright of all material on the FHYA resides with the contributing institution/custodian.
Finding aids
Associated materials
Accruals
General note
Description
[Source - Maritz, N.G. Relics of War: A Collection of 19th Century Artefacts from British South Africa and Southern Rhodesia. Pretoria: Salut Africa CC, 2008, used without alteration by JAG, 2015: JAG Description: Amasumpa ear plugs, North Nguni, 19th Century; Material: Wood]
General note
Acquisition
[Source - Nessa Leibhammer for FHYA, 2015: Acquired from: Maritz bought this from Peter Adler a dealer in African and Oceanic art based in London since 1966]
General note
Attributions and conjectures
[Source - Nessa Leibhammer for FHYA, 2017: Comments on classification: In his ‘A Preliminary Survey of the Bantu Tribes of South Africa’, Union of South Africa, Department of Native Affairs, Ethnological Publications, Vol. 5, Pretoria, Government Printer, (1935): 7, 70-83, national government ethnologist, Nicholas Van Warmelo did not use the term “North Nguni”. He grouped people living both north and south of the Thukela, under one umbrella term, “Natal Nguni”, based on linguistic affinity. His classification was adapted by the ethnology curator, Margaret Shaw, in her 1958 “System of Cataloguing Ethnographic Material in Museums” which determined that items from the region were to be classified as “Natal Nguni: Zulu and others (not differentiated).” According to art historian, Anitra Nettleton, the classificatory system used by art galleries and museum shifted from Shaw’s model to the one where “Natal Nguni” fell away and was replaced by “North/Northern Nguni” for KwaZulu-Natal and Swaziland because scholars found it difficult to distinguish items from adjacent areas, or emmigrant people from those from the KZN region. Scholars working with the JAG materials used broad ethno-linguistic categories (Zulu, Xhosa, Tsonga, Shona, Sotho, Tswana) to identify the makers/users of the objects, all of which came to JAG without much by way of provenance, and identification was based on factors such as object type, materials, formal composition, style and surface patterning (emails A. Nettleton to N. Leibhammer, 25 and 28 November 2014).]
Alternative identifier(s)
Standard number area
Standard number
Access points
Subject access points
Place access points
Name access points
- Five Hundred Year Archive (FHYA) (Online curation)
- Johannesburg Art Gallery (JAG) (Custody)
- Nicholas Maritz (Collection)
- No attribution (Making)
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