Área de título y declaración de responsabilidad
Título apropiado
Catalogue card JL-A-23 and JL-A-24 (front view)
Tipo general de material
- Documento textual
- Photographic image
Título paralelo
Otra información de título
Título declaración de responsabilidad
Título notas
- Fuente del título: Nessa Leibhammer using JAG materials
Nivel de descripción
Unidad documental simple
Institución archivística
Código de referencia
Área de edición
Declaración de edición
Declaración de responsabilidad de edición
Área de detalles específicos de la clase de material
Mención de la escala (cartográfica)
Mención de proyección (cartográfica)
Mención de coordenadas (cartográfica)
Mención de la escala (arquitectónica)
Jurisdicción de emisión y denominación (filatélico)
Área de fechas de creación
Fecha(s)
-
2016 - (Online curation)
-
[between 1983 and 1984] (Making)
Área de descripción física
Descripción física
Área de series editoriales
Título apropiado de las series del editor
Títulos paralelos de serie editorial
Otra información de título de las series editoriales
Declaración de responsabilidad relativa a las series editoriales
Numeración dentro de la serie editorial
Nota en las series editoriales
Área de descripción del archivo
Historial de custodia
[Source - Nessa Leibhammer for FHYA, 2015: Jonathan Lowen is an ex South African living in London. He sourced items from a wide range of places including antique dealers, markets such as Portabello Road, auction sales, etc. The collection was purchased by wealthy Johannesburg businessman and philanthropist, Harry Oppenheimer, and placed on on-term loan with the Johannesburg Art Gallery (JAG) in 1987. (Info from Karel Nel to Nessa Leibhammer, 12 October 2014) See: also Sandra Klopper, ‘South Africa’s Culture of Collecting: The Unofficial History’, African Arts, Winter 2004, 18-24.
Jonathan Lowen employed Margaret Carey, a British ethnologist, to catalogue his collection in the winter of 1983-84. She classified many of the objects as 'Zulu' (sic) simply because of a lack of information about the objects. (Rhoda Rosen citing Sandra Klopper.) The catalogue cards were made by Brenthurst and bear annotations added later.
The two boxes containing Brenthurst catalogue cards compiled by Margret Carey for Jonathan Lowen, went with the Brenthurst collection to the Johannesburg Art Gallery. They were kept by Nessa Leibhammer in her office during her time as curator at the JAG.]
Alcance y contenido
Área de notas
Condiciones físicas
Origen del ingreso
Arreglo
Idioma del material
Escritura del material
Ubicación de los originales
Disponibilidad de otros formatos
Restricciones de acceso
Condiciones de uso, reproducción, y publicación
Creative Commons License: CC BY-NC-ND
https://creativecommons.org/licenses/by-nc-nd/3.0/
Unless otherwise stated the copyright of all material on the FHYA resides with the contributing institution/custodian.
Instrumentos de descripción
Materiales asociados
Acumulaciones
Nota general
Transciption
[Source - Sarah Schaefer for FHYA, 2020, using Brenthurst catalogue card: JL - A - 23 & A 24
MALE AND FEMALE FIGURES: Wooden, the man carved wearing a head-ring and belt, the woman with conival head-dress wearing a skirt, and carrying a baby on her back. The eyes are Abrus precatorius seeds.
Ht: (man) 20.2 cms; Ht: (woman) 17.9 cms; [NINGUNI [sic]/TSONGA; C(. Sothebys (New York); 2.12.1983 #160
from PITT RIVERS collections in similar style.] (handwritten annotation)
Identificador/es alternativo(os)
Área de número estándar
Número estándar
Puntos de acceso
Puntos de acceso por materia
Puntos de acceso por lugar
Puntos de acceso por autoridad
- Five Hundred Year Archive (FHYA) ()
- Johannesburg Art Gallery (JAG) (Custodia)
- Margret Carey ()
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