Unidad documental simple JL-R-1 - Club

Open original Objeto digital

Área de título y declaración de responsabilidad

Título apropiado

Club

Tipo general de material

  • Objeto

Título paralelo

Otra información de título

Título declaración de responsabilidad

Título notas

  • Fuente del título: Nessa Leibhammer using JAG materials

Nivel de descripción

Unidad documental simple

Institución archivística

Código de referencia

JL-R-1

Área de edición

Declaración de edición

Declaración de responsabilidad de edición

Área de detalles específicos de la clase de material

Mención de la escala (cartográfica)

Mención de proyección (cartográfica)

Mención de coordenadas (cartográfica)

Mención de la escala (arquitectónica)

Jurisdicción de emisión y denominación (filatélico)

Área de fechas de creación

Fecha(s)

Área de descripción física

Descripción física

Área de series editoriales

Título apropiado de las series del editor

Títulos paralelos de serie editorial

Otra información de título de las series editoriales

Declaración de responsabilidad relativa a las series editoriales

Numeración dentro de la serie editorial

Nota en las series editoriales

Área de descripción del archivo

Historial de custodia

Alcance y contenido

[Source - Nessa Leibhammer for FHYA, 2015, using Brenthurst materials and JAG records: Club]

Área de notas

Condiciones físicas

Origen del ingreso

Arreglo

Idioma del material

Escritura del material

Ubicación de los originales

Disponibilidad de otros formatos

Restricciones de acceso

Condiciones de uso, reproducción, y publicación

Creative Commons License: CC BY-NC-ND

https://creativecommons.org/licenses/by-nc-nd/3.0/

Unless otherwise stated the copyright of all material on the FHYA resides with the contributing institution/custodian.

Instrumentos de descripción

Materiales asociados

Materiales relacionados

Acumulaciones

Nota general

Additional information

[Source - Sarah Schaefer for FHYA, 2020, transcription of the Brenthurst catalogue, 'Art and Ambiguity: Perspectives on the Brenthurst Collection of Southern African Art', produced by the Johannesburg Art Gallery, 1991: Club; wood, brass (wire), copper (wire), iron (wire); 59,1 x 8.7 x 8.7; Southern Africa; JL-R-1]

Nota general

Physical characteristics

[Source - Brenthurst Catalogue Art and Ambiguity: Perspectives on the Brenthurst Collection of Southern African Art produced by the Johannesburg Art Gallery, 1991. Subsequent to this the collection has been entered onto the CoJ Star database using the Brenthurst Catalogue as the reference: Dimensions: 59,1 x 8,7 x 8,7 cm Material: wood, brass (wire), copper (wire), iron (wire)]

Attributions and conjectures

[Source - Nessa Leibhammer for FHYA, 2017: Jonathan Lowen is an ex South African living in London. He sourced items from a wide range of places including antique dealers, markets such as Portabello Road, auction sales, etc. The collection was purchased by wealthy Johannesburg businessman and philanthropist, Harry Oppenheimer, and placed on on-term loan with the Johannesburg Art Gallery (JAG) in 1987. (Info from Karel Nel to Nessa Leibhammer, 12 October 2014) See: also Sandra Klopper, ‘South Africa’s Culture of Collecting: The Unofficial History’, African Arts, Winter 2004, 18-24.]

Attributions and conjectures

[Source - Nessa Leibhammer for FHYA, 2017: Comments on classification: In his ‘A Preliminary Survey of the Bantu Tribes of South Africa’, Union of South Africa, Department of Native Affairs, Ethnological Publications, Vol. 5, Pretoria, Government Printer, (1935): 7, 70-83, national government ethnologist, Nicholas Van Warmelo did not use the term “North Nguni”. He grouped people living both north and south of the Thukela, under one umbrella term, “Natal Nguni”, based on linguistic affinity. His classification was adapted by the ethnology curator, Margaret Shaw, in her 1958 “System of Cataloguing Ethnographic Material in Museums” which determined that items from the region were to be classified as “Natal Nguni: Zulu and others (not differentiated).” According to art historian, Anitra Nettleton, the classificatory system used by art galleries and museum shifted from Shaw’s model to the one where “Natal Nguni” fell away and was replaced by “North/Northern Nguni” for KwaZulu-Natal and Swaziland because scholars found it difficult to distinguish items from adjacent areas, or emmigrant people from those from the KZN region. Scholars working with the JAG materials used broad ethno-linguistic categories (Zulu, Xhosa, Tsonga, Shona, Sotho, Tswana) to identify the makers/users of the objects, all of which came to JAG without much by way of provenance, and identification was based on factors such as object type, materials, formal composition, style and surface patterning (emails A. Nettleton to N. Leibhammer, 25 and 28 November 2014).

Jonathan Lowen employed Margaret Carey, a British ethnologist, to catalogue his collection collection in the winter of 1983-84. She classified many of the objects as 'Zulu' (sic) simply because of a lack of information about the objects. (Rhoda Rosen citing Sandra Klopper.)

For an extended version of this note on JAG classification see: 'JAG Classification Note' in Additional Resources]

Identificador/es alternativo(os)

Área de número estándar

Número estándar

Puntos de acceso

Puntos de acceso por materia

Puntos de acceso por lugar

Tipo de puntos de acceso

Área de control

Identificador de registro de descripción

Identificador de la institución

Reglas o convenciones

Estado de elaboración

Nivel de detalle

Fechas de creación, revisión o eliminación

Idioma de descripción

Escritura de la descripción

Fuentes

Objeto digital (Ejemplar original), área de permisos

Objeto digital (Referencia), área de permisos

Objeto digital (Miniatura), área de permisos

Área de Ingreso

Material contributed by members of the public

Building an archive is a collective endeavour. Please help us grow the FHYA knowledge base.

If you want to add information to this page you can insert a hyperlink, add files and/or text to the box below.

In the case of material relevant to the FHYA as a whole please upload information HERE.

The FHYA does not vet this material but reserves the right to remove anything deemed to be racist, homophobic, sexist or otherwise offensive. Everything on the FHYA is licensed under a Creative Commons CC BY-NC-ND licence.

To make a contribution you must be a registered user. To register an account, click here. Note that after registration you will not be automatically redirected to this page.

If you have already registered but are not logged in, log in here.

Materias relacionadas

Personas y organizaciones relacionadas

Lugares relacionados

Tipos relacionados