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Archival Descriptions
Austrian Academy of Sciences (ÖAW)
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Ihubo lenkosi (Cetshwayo): chieftain's song [addressed to chieftain Cetshwayo] Sung by Pakati, handwritten protocol

[Source - Carolyn Hamilton for FHYA, 2019, using ÖAW materials: Mayr’s note-taking was sporadic. In his protocols he occasionally gives very few details about some informants, while with others he is quite meticulous. Usually, informants without a first or family name, or informants with names that sound foreign to us, such as Nogwaja, Pakati, Tshingwayo, and Nondhleko, reveal that the person was not a converted Christian, but still a traditional Zulu in the sense that the person adhered to long-established Zulu custom; European-style names such as Frida Kunene and Maria Gertrud(e) Mkize, on the other hand, indicate that these people were Christians. Baptisms were considered successes in the missionary's attempt to "win souls" for the church priorities for the mission. Thus, the baptism registers give some details about those who had decided to change their religion. Typically, when a person was baptised, he or she would take a European name. These names were usually those of European patrons: for example, Fr. Mayr baptised the five-week-old Msomi, Maria Coudenhove, which was the name of the newborn girl's European sponsor. Mlambo, a young man, received the name of his "uncle" or European patron, Franz Rohrmoser (cf. Gütl 2004: 77, 89, 128). The age of the people to be baptised varied from newborn children to elderly people; since most of the latter did not know their birthdays, Mayr was only able to take down estimates of their age into his register (cf. Gütl 2004: 99-100).]

Pakati - Ihubo lenkosi (Cetshwayo): chieftain's song [addressed to chieftain Cetshwayo] Sung by Pakati, sound recording and associated items

[Source - Chloe Rushovich for FHYA, 2018: File contains digital reproduction of audio extracted from CD2 of the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", originally recorded on wax cylinders and classified by OAW using Mayr's notes as "Ihubo lenkosi (Cetshwayo): chieftain's song [addressed to chieftain Cetshwayo] Sung by Pakati"; digitized CD booklet; handwritten protocols, music notation, and lyrics transcript and translation, extracted from data CD]

Ihubo lempi ka Mzimba: war-dance song [of chieftain Mzimba] Sung by Mbonambi Kanyile, sound recording

[Source - Chloe Rushovich for FHYA, 2018: Digital reproduction of audio extracted from CD1 of the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", originally recorded on wax cylinders and classified by OAW using Mayr's notes as "Ihubo lempi ka Mzimba: war-dance song [of chieftain Mzimba] Sung by Mbonambi Kanyile".]

Ihubo lempi ka Mzimba: war-dance song [of chieftain Mzimba] Sung by Mbonambi Kanyile, handwritten protocol

[Source - Carolyn Hamilton for FHYA, 2019, using ÖAW materials: Mayr’s note-taking was sporadic. In his protocols he occasionally gives very few details about some informants, while with others he is quite meticulous. Usually, informants without a first or family name, or informants with names that sound foreign to us, such as Nogwaja, Pakati, Tshingwayo, and Nondhleko, reveal that the person was not a converted Christian, but still a traditional Zulu in the sense that the person adhered to long-established Zulu custom; European-style names such as Frida Kunene and Maria Gertrud(e) Mkize, on the other hand, indicate that these people were Christians. Baptisms were considered successes in the missionary's attempt to "win souls" for the church priorities for the mission. Thus, the baptism registers give some details about those who had decided to change their religion. Typically, when a person was baptised, he or she would take a European name. These names were usually those of European patrons: for example, Fr. Mayr baptised the five-week-old Msomi, Maria Coudenhove, which was the name of the newborn girl's European sponsor. Mlambo, a young man, received the name of his "uncle" or European patron, Franz Rohrmoser (cf. Gütl 2004: 77, 89, 128). The age of the people to be baptised varied from newborn children to elderly people; since most of the latter did not know their birthdays, Mayr was only able to take down estimates of their age into his register (cf. Gütl 2004: 99-100).]

Ihubo lempi ka Mzimba: war-dance song [of chieftain Mzimba] Sung by Mbonambi Kanyile, lyrics transcript and translation

[Source - Benathi Marufu for FHYA, 2020, using ÖAW materials: Relevant pages of the CD Booklet for the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", published in 2006. To view the full booklet click the link in the Associated materials field below.]

Mbonambi Kanyile - Ihubo lempi ka Mzimba: war-dance song [of chieftain Mzimba] Sung by Mbonambi Kanyile, sound recording and associated items

[Source - Chloe Rushovich for FHYA, 2018: File contains digital reproduction of audio extracted from CD2 of the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", originally recorded on wax cylinders and classified by OAW using Mayr's notes as "Ihubo lempi ka Mzimba: war-dance song [of chieftain Mzimba] Sung by Mbonambi Kanyile"; digitized CD booklet; handwritten protocols, music notation, and lyrics transcript and translation, extracted from data CD]

Ndabambi Kunene, Mdhladhlose and Mamakaye - Indhlamu yamaqaba: dance song [ordinary quick dance for amusement without any celebration (...?)] Three-part singing by Ndabambi Kunene, Mdhladhlose and Mamakaye, sound recording and associated items

[Source - Chloe Rushovich for FHYA, 2018: File contains digital reproduction of audio extracted from CD1 of the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", originally recorded on wax cylinders and classified by OAW using Mayr's notes as "Indhlamu yamaqaba: dance song [ordinary quick dance for amusement without any celebration (...?)] Three-part singing by Ndabambi Kunene, Mdhladhlose and Mamakaye"; digitized CD booklet; handwritten protocols, and lyrics transcript and translation, extracted from data CD]

Indhlamu yamaqaba: dance song [ordinary quick dance for amusement without any celebration (...?)] Three-part singing by Ndabambi Kunene, Mdhladhlose and Mamakaye, sound recording

[Source - Chloe Rushovich for FHYA, 2018: Digital reproduction of audio extracted from CD1 of the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", originally recorded on wax cylinders and classified by OAW using Mayr's notes as "Indhlamu yamaqaba: dance song [ordinary quick dance for amusement without any celebration (...?)] Three-part singing by Ndabambi Kunene, Mdhladhlose and Mamakaye".]

Indhlamu yamaqaba: dance song [ordinary quick dance for amusement without any celebration (...?)] Three-part singing by Ndabambi Kunene, Mdhladhlose and Mamakaye, lyrics transcript and translation

[Source - Benathi Marufu for FHYA, 2020, using ÖAW materials: Relevant pages of the CD Booklet for the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", published in 2006. To view the full booklet click the link in the Associated materials field below.]

Indhlamu yamaqaba: dance song [ordinary quick dance for amusement without any celebration (...?)] Three-part singing by Ndabambi Kunene, Mdhladhlose and Mamakaye, handwritten protocol

[Source - Carolyn Hamilton for FHYA, 2019, using ÖAW materials: Mayr’s note-taking was sporadic. In his protocols he occasionally gives very few details about some informants, while with others he is quite meticulous. Usually, informants without a first or family name, or informants with names that sound foreign to us, such as Nogwaja, Pakati, Tshingwayo, and Nondhleko, reveal that the person was not a converted Christian, but still a traditional Zulu in the sense that the person adhered to long-established Zulu custom; European-style names such as Frida Kunene and Maria Gertrud(e) Mkize, on the other hand, indicate that these people were Christians. Baptisms were considered successes in the missionary's attempt to "win souls" for the church priorities for the mission. Thus, the baptism registers give some details about those who had decided to change their religion. Typically, when a person was baptised, he or she would take a European name. These names were usually those of European patrons: for example, Fr. Mayr baptised the five-week-old Msomi, Maria Coudenhove, which was the name of the newborn girl's European sponsor. Mlambo, a young man, received the name of his "uncle" or European patron, Franz Rohrmoser (cf. Gütl 2004: 77, 89, 128). The age of the people to be baptised varied from newborn children to elderly people; since most of the latter did not know their birthdays, Mayr was only able to take down estimates of their age into his register (cf. Gütl 2004: 99-100).]

Ihubo lempi: war-dance [song] Three-part singing by three grown-up girls, sound recording

[Source - Chloe Rushovich for FHYA, 2018: Digital reproduction of audio extracted from CD1 of the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", originally recorded on wax cylinders and classified by OAW using Mayr's notes as "Ihubo lempi: war-dance [song] Three-part singing by three grown-up girls".]

Unknown female vocalists - Ihubo lempi: war-dance [song] Three-part singing by three grown-up girls, sound recording and associated items

[Source - Chloe Rushovich for FHYA, 2018: File contains digital reproduction of audio extracted from CD2 of the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", originally recorded on wax cylinders and classified by OAW using Mayr's notes as "Ihubo lempi: war-dance [song] Three-part singing by three grown-up girls"; digitized CD booklet; handwritten protocols, music notation, and lyrics transcript and translation, extracted from data CD]

Ihubo lempi: war-dance [song] Three-part singing by three grown-up girls, handwritten protocol

[Source - Carolyn Hamilton for FHYA, 2019, using ÖAW materials: Mayr’s note-taking was sporadic. In his protocols he occasionally gives very few details about some informants, while with others he is quite meticulous. Usually, informants without a first or family name, or informants with names that sound foreign to us, such as Nogwaja, Pakati, Tshingwayo, and Nondhleko, reveal that the person was not a converted Christian, but still a traditional Zulu in the sense that the person adhered to long-established Zulu custom; European-style names such as Frida Kunene and Maria Gertrud(e) Mkize, on the other hand, indicate that these people were Christians. Baptisms were considered successes in the missionary's attempt to "win souls" for the church priorities for the mission. Thus, the baptism registers give some details about those who had decided to change their religion. Typically, when a person was baptised, he or she would take a European name. These names were usually those of European patrons: for example, Fr. Mayr baptised the five-week-old Msomi, Maria Coudenhove, which was the name of the newborn girl's European sponsor. Mlambo, a young man, received the name of his "uncle" or European patron, Franz Rohrmoser (cf. Gütl 2004: 77, 89, 128). The age of the people to be baptised varied from newborn children to elderly people; since most of the latter did not know their birthdays, Mayr was only able to take down estimates of their age into his register (cf. Gütl 2004: 99-100).]

Ihubo lempi: war-dance [song] Three-part singing by three grown-up girls, lyrics transcript and translation

[Source - Benathi Marufu for FHYA, 2020, using ÖAW materials: Relevant pages of the CD Booklet for the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", published in 2006. To view the full booklet click the link in the Associated materials field below.]

lhubo lokusina: old dance Three-part singing by one man (Ndabambi Kunene) and two women (Mdhladhlozi and Makaya), lyrics transcript and translation

[Source - Benathi Marufu for FHYA, 2020, using ÖAW materials: Relevant pages of the CD Booklet for the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", published in 2006. To view the full booklet click the link in the Associated materials field below.]

(Ndabambi Kunene) and two women (Mdhladhlozi and Makaya) - lhubo lokusina: old dance Three-part singing by one man (Ndabambi Kunene) and two women (Mdhladhlozi and Makaya), sound recording and associated items

[Source - Chloe Rushovich for FHYA, 2018: File contains digital reproduction of audio extracted from CD2 of the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", originally recorded on wax cylinders and classified by OAW using Mayr's notes as "lhubo lokusina: old dance Three-part singing by one man (Ndabambi Kunene) and two women (Mdhladhlozi and Makaya)"; digitized CD booklet; handwritten protocols, music notation, and lyrics transcript and translation, extracted from data CD]

lhubo lokusina: old dance Three-part singing by one man (Ndabambi Kunene) and two women (Mdhladhlozi and Makaya), handwritten protocol

[Source - Carolyn Hamilton for FHYA, 2019, using ÖAW materials: Mayr’s note-taking was sporadic. In his protocols he occasionally gives very few details about some informants, while with others he is quite meticulous. Usually, informants without a first or family name, or informants with names that sound foreign to us, such as Nogwaja, Pakati, Tshingwayo, and Nondhleko, reveal that the person was not a converted Christian, but still a traditional Zulu in the sense that the person adhered to long-established Zulu custom; European-style names such as Frida Kunene and Maria Gertrud(e) Mkize, on the other hand, indicate that these people were Christians. Baptisms were considered successes in the missionary's attempt to "win souls" for the church priorities for the mission. Thus, the baptism registers give some details about those who had decided to change their religion. Typically, when a person was baptised, he or she would take a European name. These names were usually those of European patrons: for example, Fr. Mayr baptised the five-week-old Msomi, Maria Coudenhove, which was the name of the newborn girl's European sponsor. Mlambo, a young man, received the name of his "uncle" or European patron, Franz Rohrmoser (cf. Gütl 2004: 77, 89, 128). The age of the people to be baptised varied from newborn children to elderly people; since most of the latter did not know their birthdays, Mayr was only able to take down estimates of their age into his register (cf. Gütl 2004: 99-100).]

lhubo lokusina: old dance Three-part singing by one man (Ndabambi Kunene) and two women (Mdhladhlozi and Makaya), sound recording

[Source - Chloe Rushovich for FHYA, 2018: Digital reproduction of audio extracted from CD1 of the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", originally recorded on wax cylinders and classified by OAW using Mayr's notes as "lhubo lokusina: old dance Three-part singing by one man (Ndabambi Kunene) and two women (Mdhladhlozi and Makaya)".]

[Igama lokusina], isicanguzo: wedding dance [introductory dance performed by the bride's party] Two-part singing by Mhladhlozi and Nondhleko [married women], handwritten protocol

[Source - Carolyn Hamilton for FHYA, 2019, using ÖAW materials: Mayr’s note-taking was sporadic. In his protocols he occasionally gives very few details about some informants, while with others he is quite meticulous. Usually, informants without a first or family name, or informants with names that sound foreign to us, such as Nogwaja, Pakati, Tshingwayo, and Nondhleko, reveal that the person was not a converted Christian, but still a traditional Zulu in the sense that the person adhered to long-established Zulu custom; European-style names such as Frida Kunene and Maria Gertrud(e) Mkize, on the other hand, indicate that these people were Christians. Baptisms were considered successes in the missionary's attempt to "win souls" for the church priorities for the mission. Thus, the baptism registers give some details about those who had decided to change their religion. Typically, when a person was baptised, he or she would take a European name. These names were usually those of European patrons: for example, Fr. Mayr baptised the five-week-old Msomi, Maria Coudenhove, which was the name of the newborn girl's European sponsor. Mlambo, a young man, received the name of his "uncle" or European patron, Franz Rohrmoser (cf. Gütl 2004: 77, 89, 128). The age of the people to be baptised varied from newborn children to elderly people; since most of the latter did not know their birthdays, Mayr was only able to take down estimates of their age into his register (cf. Gütl 2004: 99-100).]

Mhladhlozi and Nondhleko - [Igama lokusina], isicanguzo: wedding dance [introductory dance performed by the bride's party] Two-part singing by Mhladhlozi and Nondhleko [married women], sound recording and associated items

[Source - Chloe Rushovich for FHYA, 2018: File contains digital reproduction of audio extracted from CD1 of the "Series 10: The Collection of Father Franz Mayr Zulu Recordings 1908", originally recorded on wax cylinders and classified by OAW using Mayr's notes as "[Igama lokusina], isicanguzo: wedding dance [introductory dance performed by the bride's party] Two-part singing by Mhladhlozi and Nondhleko [married women]"; digitized CD booklet; handwritten protocols, and lyrics transcript and translation, extracted from data CD]

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