View JL-H-9 - Snuff-spoon (view 2)

Open original Digital object

Title and statement of responsibility area

Title proper

Snuff-spoon (view 2)

General material designation

  • Object

Parallel title

Other title information

Title statements of responsibility

Title notes

  • Source of title proper: FHYA using JAG materials

Level of description

View

Reference code

JL-H-9

Edition area

Edition statement

Edition statement of responsibility

Class of material specific details area

Statement of scale (cartographic)

Statement of projection (cartographic)

Statement of coordinates (cartographic)

Statement of scale (architectural)

Issuing jurisdiction and denomination (philatelic)

Dates of creation area

Date(s)

Physical description area

Physical description

Publisher's series area

Title proper of publisher's series

Parallel titles of publisher's series

Other title information of publisher's series

Statement of responsibility relating to publisher's series

Numbering within publisher's series

Note on publisher's series

Archival description area

Custodial history

Scope and content

[Source - Nessa Leibhammer for FHYA, 2015, using Brenthurst materials and JAG records: Snuff-spoon]

Notes area

Physical condition

Immediate source of acquisition

Arrangement

Language of material

Script of material

Location of originals

Availability of other formats

Restrictions on access

Terms governing use, reproduction, and publication

Creative Commons License: CC BY-NC-ND

https://creativecommons.org/licenses/by-nc-nd/3.0/

Unless otherwise stated the copyright of all material on the FHYA resides with the contributing institution/custodian.

Finding aids

Associated materials

Related materials

Accruals

General note

Additional information

[Source - Sarah Schaefer for FHYA, 2020, transcription of the Brenthurst catalogue, 'Art and Ambiguity: Perspectives on the Brenthurst Collection of Southern African Art', produced by the Johannesburg Art Gallery, 1991: Snuff-spoon; bone, pigment; 15,6 x 1,8 x 0,6; North Nguni/South Nguni; JL-H-9]

General note

Physical characteristics

[Source - Brenthurst Catalogue Art and Ambiguity: Perspectives on the Brenthurst Collection of Southern African Art produced by the Johannesburg Art Gallery, 1991. Subsequent to this the collection has been entered onto the CoJ Star database using the Brenthurst Catalogue as the reference: Dimensions: 15,6 x 1,8 x 0,6 cm Material: Bone, pigment]

Attributions and conjectures

[Source - Nessa Leibhammer for FHYA, 2017: Jonathan Lowen is an ex South African living in London. He sourced items from a wide range of places including antique dealers, markets such as Portabello Road, auction sales, etc. The collection was purchased by wealthy Johannesburg businessman and philanthropist, Harry Oppenheimer, and placed on on-term loan with the Johannesburg Art Gallery (JAG) in 1987. (Info from Karel Nel to Nessa Leibhammer, 12 October 2014) See: also Sandra Klopper, ‘South Africa’s Culture of Collecting: The Unofficial History’, African Arts, Winter 2004, 18-24.]

Attributions and conjectures

[Source - Nessa Leibhammer for FHYA, 2017: Comments on classification: In his ‘A Preliminary Survey of the Bantu Tribes of South Africa’, Union of South Africa, Department of Native Affairs, Ethnological Publications, Vol. 5, Pretoria, Government Printer, (1935): 7, 70-83, national government ethnologist, Nicholas Van Warmelo did not use the term “North Nguni”. He grouped people living both north and south of the Thukela, under one umbrella term, “Natal Nguni”, based on linguistic affinity. His classification was adapted by the ethnology curator, Margaret Shaw, in her 1958 “System of Cataloguing Ethnographic Material in Museums” which determined that items from the region were to be classified as “Natal Nguni: Zulu and others (not differentiated).” According to art historian, Anitra Nettleton, the classificatory system used by art galleries and museum shifted from Shaw’s model to the one where “Natal Nguni” fell away and was replaced by “North/Northern Nguni” for KwaZulu-Natal and Swaziland because scholars found it difficult to distinguish items from adjacent areas, or emmigrant people from those from the KZN region. Scholars working with the JAG materials used broad ethno-linguistic categories (Zulu, Xhosa, Tsonga, Shona, Sotho, Tswana) to identify the makers/users of the objects, all of which came to JAG without much by way of provenance, and identification was based on factors such as object type, materials, formal composition, style and surface patterning (emails A. Nettleton to N. Leibhammer, 25 and 28 November 2014).

Jonathan Lowen employed Margaret Carey, a British ethnologist, to catalogue his collection collection in the winter of 1983-84. She classified many of the objects as 'Zulu' (sic) simply because of a lack of information about the objects. (Rhoda Rosen citing Sandra Klopper.)

For an extended version of this note on JAG classification see: 'JAG Classification Note' in Additional Resources]

Alternative identifier(s)

Standard number area

Standard number

Access points

Subject access points

Place access points

Name access points

Genre access points

Control area

Description record identifier

Institution identifier

Rules or conventions

Status

Level of detail

Dates of creation, revision and deletion

Language of description

Script of description

Sources

Digital object (Master) rights area

Digital object (Reference) rights area

Digital object (Thumbnail) rights area

Accession area

Material contributed by members of the public

Building an archive is a collective endeavour. Please help us grow the FHYA knowledge base.

If you want to add information to this page you can insert a hyperlink, add files and/or text to the box below.

In the case of material relevant to the FHYA as a whole please upload information HERE.

The FHYA does not vet this material but reserves the right to remove anything deemed to be racist, homophobic, sexist or otherwise offensive. Everything on the FHYA is licensed under a Creative Commons CC BY-NC-ND licence.

To make a contribution you must be a registered user. To register an account, click here. Note that after registration you will not be automatically redirected to this page.

If you have already registered but are not logged in, log in here.

Related subjects

Related people and organizations

Related places

Related genres