Área de título y declaración de responsabilidad
Título apropiado
Snuff-spoon (view 2)
Tipo general de material
- Objeto
Título paralelo
Otra información de título
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Título notas
- Fuente del título: Nessa Leibhammer using JAG materials
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View
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Declaración de edición
Declaración de responsabilidad de edición
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Mención de la escala (cartográfica)
Mención de proyección (cartográfica)
Mención de coordenadas (cartográfica)
Mención de la escala (arquitectónica)
Jurisdicción de emisión y denominación (filatélico)
Área de fechas de creación
Fecha(s)
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2016 - (Online curation)
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1987 (Ownership)
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YYYY (Making)
Área de descripción física
Descripción física
Área de series editoriales
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Otra información de título de las series editoriales
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Nota en las series editoriales
Área de descripción del archivo
Historial de custodia
Alcance y contenido
[Source - Nessa Leibhammer for FHYA, 2015, using Brenthurst materials and JAG records: Snuff-spoon]
Área de notas
Condiciones físicas
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Creative Commons License: CC BY-NC-ND
https://creativecommons.org/licenses/by-nc-nd/3.0/
Unless otherwise stated the copyright of all material on the FHYA resides with the contributing institution/custodian.
Instrumentos de descripción
Materiales asociados
Acumulaciones
Nota general
Additional information
[Source - Sarah Schaefer for FHYA, 2020, transcription of the Brenthurst catalogue, 'Art and Ambiguity: Perspectives on the Brenthurst Collection of Southern African Art', produced by the Johannesburg Art Gallery, 1991: Snuff-spoon; bone, pigment; 17,4 x 4,1 x 0,6; North Nguni; JL·H-1; (Fig. 114)]
Nota general
Attributions and conjectures
[Source - Nessa Leibhammer for FHYA, 2017: Comments on classification: In his ‘A Preliminary Survey of the Bantu Tribes of South Africa’, Union of South Africa, Department of Native Affairs, Ethnological Publications, Vol. 5, Pretoria, Government Printer, (1935): 7, 70-83, national government ethnologist, Nicholas Van Warmelo did not use the term “North Nguni”. He grouped people living both north and south of the Thukela, under one umbrella term, “Natal Nguni”, based on linguistic affinity. His classification was adapted by the ethnology curator, Margaret Shaw, in her 1958 “System of Cataloguing Ethnographic Material in Museums” which determined that items from the region were to be classified as “Natal Nguni: Zulu and others (not differentiated).” According to art historian, Anitra Nettleton, the classificatory system used by art galleries and museum shifted from Shaw’s model to the one where “Natal Nguni” fell away and was replaced by “North/Northern Nguni” for KwaZulu-Natal and Swaziland because scholars found it difficult to distinguish items from adjacent areas, or emmigrant people from those from the KZN region. Scholars working with the JAG materials used broad ethno-linguistic categories (Zulu, Xhosa, Tsonga, Shona, Sotho, Tswana) to identify the makers/users of the objects, all of which came to JAG without much by way of provenance, and identification was based on factors such as object type, materials, formal composition, style and surface patterning (emails A. Nettleton to N. Leibhammer, 25 and 28 November 2014).
Jonathan Lowen employed Margaret Carey, a British ethnologist, to catalogue his collection collection in the winter of 1983-84. She classified many of the objects as 'Zulu' (sic) simply because of a lack of information about the objects. (Rhoda Rosen citing Sandra Klopper.)
For an extended version of this note on JAG classification see: 'JAG Classification Note' in Additional Resources]
Identificador/es alternativo(os)
Área de número estándar
Número estándar
Puntos de acceso
Puntos de acceso por materia
Puntos de acceso por lugar
Puntos de acceso por autoridad
- Five Hundred Year Archive (FHYA) ()
- Johannesburg Art Gallery (JAG) (Custodia)
- Oppenheimer Family ()
- Jonathan Lowen (Colección)
- No attribution ()
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